
First off, I'm really excited to be immersed in intense photojournalism world of EAW as I don't normally operate there, though my work is documentary in nature.
I'm going to continue with our theme of picking an image that speaks to us now, rather than an all out favorite. I've been thinking a lot about environmental portraiture lately and I keep thinking about this image I made in February. I took this shot of a farmer in North Dakota while I was covering some adventurers and their snowkite traverse of North Dakota (promoting wind energy along the way). I've been focusing on editorial work and that story was published in Outside.
It's has a very quiet tone, and allows the viewer ample time to gaze. It's the light, the visual context, the texture on the subject mirroring the texture on the ground. It's slightly more formal, but occurred in the spur of the moment (while trying to capture the snowkiters with the last amount of light, I glanced over and saw an image I had to get - "Can I take your picture real quick? OK - stand there. Thanks").
I'm developing a project where I'd like to shoot more pictures like this and interested in the relationship that happens once you break the line of merely observing. Alec Soth comes to mind and I just came across a project by Jonas Bendiksen (Magnum) documenting people urban inhabitants in some of the most densely packed places on the planet.
from the magnum site:
"I love working on stories that get left behind in the race for the daily headlines - journalistic orphans. Often, the most worthwhile and convincing images tend to lurk within the hidden, oblique stories that fly just below the radar."
-Jonas Bendiksen
I'm going to go find more of his stuff now.....